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Under
the Influence, was one of the most widely praised debuts in recent
memory, earning a four-star review in Japan's most prestigious jazz
magazine, Swing Journal, and appearing on numerous critics' lists
of the best recordings of 1999. And now comes the eagerly-awaited
Meant to Be, a new collection of songs that proves to be a worthy
successor to her auspicious premiere.
Like
its predecessor, Meant to Be, reflects the breadth and depth of
Jenna's musical tastes and her command of a vast range of styles.
The album features an array of songs from the repertoires of Duke
Ellington and Fats Waller, Steely Dan and U2, as well as two originals.
Choosing material with daring, Jenna makes a convincing case for
herself as an artist whose music transcends category.
Jenna
made a big change in 1986 and moved to the San Francisco Bay Area,
with its rich and varied musical heritage. She didn't take long
to fully immerse herself in the jazz scene meeting Bobby McFerrin,
Ed Kelly, Eddie Marshall, Peter Apfelbaum, and Tuck Andress. She
was also attracted to the burgeoning women's music community, where
she worked with June Millington, Vicki Randle, Chris Williamson,
and Barbara Higbie. During that time Jenna began to build an impressive
list of recording credits, including session work with Narada Michael
Walden, the Spinners, and Ray Obiedo.
Jenna
continued singing in a variety of Bay Area clubs through the 80s
and into the 90s, winning new fans and earning raves from critics,
including Phillip Elwood, the widely respected jazz writer for the
San Francisco Examiner, who wrote that Mammina "...radiates
a feeling of ecstasy on stage...loving every minute in the spotlight
and treating every song in a most remarkable and personal manner."
Jenna's
restless artistic spirit is reflected in her constant travels, as
she divides her time between San Francisco, New York, and her hometown,
St. Joseph, Michigan. She has performed extensively in her home
state and throughout the Midwest, including regular gigs at Chicago's
Green Mill, appearances on the Detroit-based syndicated radio program
of noted journalist/author, Mitch Albom, and multiple visits to
the Michigan Womyn¹s Music Festival. In New York, she has appeared
at the Knitting Factory, Wetlands, Town Hall, and at the JVC Jazz
Festival. On the west coast, she has performed at noted venues such
as Yoshi's, The Fillmore, and the Great American Music Hall, and
at the Monterey, Big Sur, San Francisco, and Mount Hood Jazz Festivals.
And
of course, she continues to play club dates with her own groups,
assembling the stellar talents of musicians such as pianist Matt
Rollings, reedman Paul McCandless, bassist James Genus, cellist
Matt Brubeck, and violinist Darol Anger. Jenna most often teams
up with her musical director and guitarist, André Bush. "It's
always a new challenge. The interaction with every musician is always
an inspiration to me. It allows me to be who I am as a vocalist
and to give my audience the best performance possible." 890
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